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Sunday, February 24, 2013

Playing With Expectations (Part Three)

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My previous blog on this topic ( part two ) just scratched the surface in exploring ways in which Beethoven plays with listener expectation...
17 comments:
Saturday, February 16, 2013

Playing With Expectations (Part Two)

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Here's a link to my previous post,  Playing With Expectations (Part One) , in case you missed it.  It's very short, and sets up t...
7 comments:
Thursday, February 14, 2013

Playing With Expectations (Part One)

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One of the best ways to become better at making something is to study good examples of the thing(s) you admire in order to learn what makes...
20 comments:
Saturday, February 2, 2013

Judge Me By My Composition, Do You? (Part Three)

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Today's post looks at Aaron Copland's What to Listen for in Music (1957), and grows out of two earlier posts on evaluating and cri...
8 comments:
Friday, February 1, 2013

Judge Me By My Composition, Do You? (Part Two)

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In my earlier post on this topic , I discussed judgement in general, and specific ways in which this can be applied to music.  In today...
11 comments:
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About Me

Clark Ross
I am a composer of music for soloists, chamber groups, orchestra, voice, and electronics, as well as a guitarist and professor of Composition and Theory (since 1992) at Memorial University of Newfoundland, Canada. I teach Composition, 2nd-year Music Theory (chromatic harmony and large form classical music), Renaissance Counterpoint, Baroque Counterpoint, and Music Technology. I have also taught Electronic Music, Orchestration, 20th-Century Techniques, Music History, Ear-Training, and Classical Guitar. I welcome feedback from all non-spam bots! If you have any suggestions of topics you'd like me to cover in future posts, please let me know!
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