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Showing posts with label sui generis. Show all posts
Showing posts with label sui generis. Show all posts
Tuesday, March 11, 2014

Form in Post-Tonal Music (Questionnaire answers: #4, 5, & 6)

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Question 4 from my " Form in Post-Tonal Music (1) " post is this: 4.  On a scale of 1 (low) to 10 (high), how important is form ...
4 comments:
Friday, March 7, 2014

Form in Post-Tonal Music (Questionnaire answers: #3)

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Question 3 from my " Form in Post-Tonal Music (1) " post is this: 3.  Should post-tonal music avoid forms associated with tonal ...
4 comments:
Thursday, March 6, 2014

Form in Post-Tonal Music (Questionnaire answers: #2)

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Question 2 from my " Form in Post-Tonal Music (1) " post is this: 2.  Most compositions from the 18th- and 19th-centuries use a ...
5 comments:
Friday, January 31, 2014

Form in Post-Tonal Music (Questionnaire)

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In yesterday's (30 Jan 2014) Newfound Music symposium talk by Jocelyn Morlock , she spoke of a project in which she surveyed sixteen co...
17 comments:
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About Me

Clark Ross
I am a composer of music for soloists, chamber groups, orchestra, voice, and electronics, as well as a guitarist and professor of Composition and Theory (since 1992) at Memorial University of Newfoundland, Canada. I teach Composition, 2nd-year Music Theory (chromatic harmony and large form classical music), Renaissance Counterpoint, Baroque Counterpoint, and Music Technology. I have also taught Electronic Music, Orchestration, 20th-Century Techniques, Music History, Ear-Training, and Classical Guitar. I welcome feedback from all non-spam bots! If you have any suggestions of topics you'd like me to cover in future posts, please let me know!
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